Bob Moses

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BOB MOSES play the beautiful Fox Theater in Oakland on Saturday, November 5th!

Tickets are on sale NOW through Another Planet's official website,

Listen to BOB MOSES:


Occupying the fertile ground between organic band land and an all-electronic production project, Bob Moses draw on the two poles to vividly resonate across both. A duo with an individual name, Tom Howie and Jimmy Vallance’s musical endeavor plays with this kind of duality all over their debut album Days Gone By.

Initially connecting in high school back in Vancouver, the two went their separate ways – Howie to Boston’s Berklee College Of Music, Vallance to the commercial dance charts producing big room floor fillers. After moving to New York City separately only to serendipitously bump into each other in a carpark and discover that they each had studios across the street from each other in Red Hook, the call was made to get together to try and jam something out. “We booked a couple days to write at my studio for fun, and by the end of the week, I told Tom, ‘Come live at my place and let’s do this every day’”, Vallance recalls. It made sense that the name of their project paid tribute to the city in which it was birthed, and so in homage to Robert Moses, the urban planner behind iconic New York landmarks like Shea Stadium and the Brooklyn-Queens Expressway, Bob Moses was anointed.

While their introduction to dance music may have come in the genre’s traditionally communal setting, it’s Days Gone By’s potency in solitude that marks it out as a debut album worthy of deeper scrutiny. A sound palette that combines the elegantly icy with an indelibly human touch, its Cologne techno rhythms in the bottom, the elegant otherly distance of Detroit in the middle, and an unmistakably earthly, almost jazzy textures in the top end, anchored by Howie’s softly suggestive voice that doesn’t dominate, but instead plays out as another instrument in an alluring mix.

The balance of man and machine is a delicate dance that Bob Moses have realised with their debut, and Days Gone By is a dazzling exploration of discreet, personal moods that engages and eventually engulfs, tastefully coalescing dance music’s giddy rush with more timeless, introspective song craft. Borrowing from both but slaves to neither, as a result the record is equally effective headphone listening as it is deft club euphoria. Days Gone By reveals Bob Moses as masters of their art.


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